MELODRIFT: MUSIC OF THE WEEK (21.02.25)

Discover the newest music that the MELODRIFT team have been listening to.

Lilly Bedard ‘Not Everything Ends’

Lilly Bedard’s ‘Not Everything Ends’ is a breathtakingly intimate ballad that showcases her growth as a songwriter and storyteller. With delicate folk-pop instrumentation and heartfelt lyricism, the song is a journey from heartbreak to healing, wrapped in evocative melodies that feel both personal and universal. Her ability to translate raw emotion into music is on full display, particularly in the line, “You know it’s the right chord progression when hearing it play makes you cry.” With this release, Lilly proves that she can not only navigate the depths of sorrow but also celebrate love with authenticity and grace.

Swiss Pleasure ‘2009’

Few bands capture the push and pull of human emotion as effortlessly as Swiss Pleasure, and ‘2009 is proof of their ability to turn introspection into art. The track’s jittery energy and haunting harmonies pull listeners into a world where detachment becomes survival, perfectly complemented by the video’s inventive storytelling. Through flickering lights, surreal imagery, and a seamless blend of warmth and darkness, the visuals mirror the music’s tension—both inviting and unsettling. With its bold creativity and undeniable emotional weight, ‘2009’ is not just a song; it’s an experience that lingers, proving Swiss Pleasure’s place among indie’s most exciting new acts.

Niamh McKinney ‘Reliving’

Niamh McKinney’s new single ‘Reliving’ is a haunting meditation on the echoes of the past and the ways we trap ourselves in cycles of memory. Her voice, rich with emotion, floats over intricate instrumentation, capturing the weight of fleeting moments and the impossibility of truly seeing oneself. The song is both delicate and powerful, recalling the spectral beauty of artists like Björk and Aurora, yet remaining uniquely her own. With Stephen McKinney’s intuitive collaboration and Rian Trench’s meticulous production, ‘Reliving’ solidifies Niamh’s place as a singular force in Ireland’s folk-inspired avant-garde scene.

Aistis ‘Caviar For Seagulls’

In "Caviar For Seagulls", Aistis serves up a feast of introspective folk that's as cinematic as it is confessional. With arrangements that swirl like a velvet-draped cabaret and lyrics that plumb the depths of the human condition, this album is an odyssey of emotions that will leave you breathless and bewitched. From the whimsical "Nothing Here Ever Changes" to the devastating "Rejoice", every track is a masterclass in storytelling that will transport you to a world of quiet revelations and hard-won wisdom.

Craigology ‘Regenerate’

Craigology’s ‘Secrets from a Gemstone’ is a sonic journey that seamlessly weaves ambient piano, neoclassical elegance, electronic smooth jazz, and orchestral grandeur into a deeply immersive experience. A standout gem ‘Regenerate’ captures the essence of resilience with its delicate yet powerful piano melodies, evoking a sense of renewal and quiet strength. Perfectly suited for moments of deep introspection, this track—and the EP as a whole—cements Craigology’s mastery in crafting emotive, transportive soundscapes that linger long after the music fades.